How To Choose A Monologue For A Stage Audition

Just about any theatre audition will require actors to perform a monologue. Choosing the right monologue can be crucial in determining if you will be cast. Below are some important tips to remember when choosing your audition monologue.

Length: Remember, less is more. Many actors fall into the trap of choosing a 4-5 minute monologue. This only increases the chances of you loosing your audience. I recommend performing a monologue that's no more then a minute long. If the director needs to hear more, he/she will ask you to perform something else. The important thing to remember is to leave them wanting more!

Have several monologues prepared: Many times the director will wish to hear something else. This is why it's important to always have several monologues in your "back pocket" just in case. These should always be of different styles and genres. For example you should always have the following types of monologues prepared before you go to any audition: contemporary dramatic, contemporary comedic, classical dramatic, classical comedic.

Genre: This seems simple enough, but you would be surprised how many actors choose an inappropriate monologue for the play they're auditing for! It's simple, if you're auditing for a comedy, perform comedic monologue. The same goes if it's a drama. Also remember to follow the instructions in the audition notice. Many times it will state what the type of monologue should be performed.

Performing from the play: Unless it's specifically stated, you should NEVER perform a monologue from the play in which you're auditioning. If the director wants to hear you perform a piece from the play, he/she will call you back.

Self contained: The monologue should have a natural beginning, middle and end. It should be self contained so the director knows exactly who you're talking to, the conflict and resolution. Think if it as a mini-play. Also avoid monologues that require a lot of back story.

Conclusion

Keep in mind; above all else an audition is a performance. Strive to take the director on a "ride" with you. Make him/her see the character. Allow him/her to feel the conflict. If you do, you'll have many incredible acting opportunities in store for you!

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